The Japanese Tea Ceremony and Pancultural Definitions of Art
作者单位: 1Philosophy University of Auckland Auckland New Zealand
刊名: The Journal of Aesthetics and Art Criticism, 2018, Vol.76 (1), pp.33-44
来源数据库: Wiley Journal
DOI: 10.1111/jaac.12436
原始语种摘要: ABSTRACT(#br)Dominic McIver Lopes and Yuriko Saito claim that the Japanese tea ceremony, or chadō , is a non‐Western art form. Stephen Davies also defends that claim. In this article, I utilize the tea ceremony as a test case for pancultural definitions of art that claim to be inclusive of non‐Western cultures without relying on Western ethnocentrism to justify their status as artworks. I argue that Davies's (2015) hybrid definition is not justified in assuming a homogenous art tradition and/or a unified conception of artistic practices in a non‐Western culture. Moreover, the cladistic structure of his definition fails to accommodate the spontaneous instantiation of new art traditions. Additionally, Jerrold Levinson's Intentional‐Historical definition cannot satisfactorily accommodate...
全文获取路径: Wiley  (合作)

  • ceremony 礼仪
  • satisfactorily 令人满意地
  • Japanese 日本人日语日本的
  • formative 构造因素
  • inclusive 包括
  • justified 两端
  • tradition 传统
  • claim 权利要求范围
  • argue 证明
  • ethnocentrism 人性中心论