The Property Theory of Musical Works
作者单位: 1Philosophy University of Manchester Manchester M13 9PL United Kingdom
刊名: The Journal of Aesthetics and Art Criticism, 2018, Vol.76 (1), pp.57-69
来源数据库: Wiley Journal
DOI: 10.1111/jaac.12435
原始语种摘要: ABSTRACT(#br)The property theory of musical works says that each musical work is a property that is instantiated by its occurrences, that is, the work's performances and playings. The property theory provides ontological explanations very similar to those given by its popular cousin, the type/token theory of musical works, but it is both simpler and stronger. However, type/token theorists often dismiss the property theory. In this essay, I formulate a version of the property theory that identifies each type (thus, each musical work) with a unique property. I then scrutinize the arguments offered for thinking that types, including musical works, are distinct from properties. I respond that no such argument is forceful and conclude that the property theory of musical works is superior to...
全文获取路径: Wiley  (合作)

  • musical 音乐的
  • property 所有权
  • token 令牌
  • thinking 思考
  • cousin 表亲
  • theory 理论
  • works 制造厂
  • conclude 结论
  • simpler 药单采集?草药医生
  • often 往往